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Sabledrake Magazine November, 2004
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The second superhero anthology from Guardians of
Order continues to explore and expand upon their "Silver Age
Sentinels" universe with fifteen all-new tales and an introduction by
Elliot S! Maggin. Its predecessor, Path of the Just
(reviewed in the February issue with a quote from that review featured in Path
of the Bold), looked primarily at the nature of
heroism and rightness. Path of the Bold goes in a slightly
different direction, with most of the stories concentrating on the
not-quite-so-good guys, the heroes who sometimes bend or break the law to
get the job done … in general, the darker side of heroism in the real
world. Path of the Bold is every bit as good if
not better, in entirely new and different ways. And I'm not just saying
that because I got a story into the book, either … these fifteen stories
are bound to please fans of the superhero genre. In "Real Life," by Dennis Detwiller,
a small-town super finds out what many aspiring young actors or models
find out … what is impressive by the standards of Susquehanna,
Pennsylvania is dime-a-dozen in Empire City. There are always other supers
who are stronger, faster, more powerful, more popular. There are only so
many crimes and bad guys to go around, and it's hard to get that crucial
big break. But once you've moved to the big city, can you ever go home
again? "Timelines," by Steve Crow, tackles
what I've always felt is one of the most challenging plots of all –
predestination – and does a good job. Foreknowledge was said to be the
last evil left inside when Pandora shut the lid on the box, because to
know what's coming is to be without hope. Martin Forth is a man who knows
what's coming. He has the ability to see alternate timelines and possible
futures, and must think his way out of what seems like irrevocable
destiny. David J. Snyder's "Capes and
Corsages" shows that, for superheroes just like for the rest of us,
family relationships can be even harder than battling evil and saving the
world. They only differ in the details … in this case the details being
that the dad who's left his wife is marrying an extra-dimensional warrior
princess, the maid of honor is a younger version of the bride, and the
teenage son who doesn't want to attend the wedding used to be dad's
costumed sidekick. So maybe it's not just like it is for the rest of us,
after all! "Fanboy" is the contribution by
anthology editor James Lowder, and it will strike right to the heart of
every geek, gamer, loser, and misunderstood basement-dwelling weirdo out
there (and I include myself in that number). This makes it an almost
uncomfortable tale at times, because the main character is so easy to
identify with and it therefore becomes so easy to sympathize with him even
when he starts going wrong. We all know this guy. Some of us, maybe, could
under the right circumstances be this guy. The problems of being invisible, insubstantial,
and unable to communicate are well-explored in "Dead Girl
Talking," by Whitt Pond. The title character, Dead Girl, is stuck
only being able to watch as her friend and fellow escapee from a hellish
institution, winged misfit Marty, has one run-in after another with Sir
Spandex (what a name! I love it!) and the rest of Team Valiant. All she
can do is commentate on the events, and try to intervene in her ghostly
way. "Forever Young" by Lucien Soulban
hops through history in a beautifully-written, haunting story of good,
evil, childhood, age, wickedness and redemption. In the war-torn Europe of
the 1920's, the eternally youthful Pan tries to save children from an
ancient witch, and pays a terrible price for a selfish act. In the modern
day, an elderly woman must face up to the truths of her distant past,
including her own time as Pan's sidekick, Belle. Jim C. Hines takes a grim but quirky look at
the thankless lot of the sidekick in "Sidekicked." With
superhero Roc injured and out of the picture, Sparrowhawk has to step up
and take charge. But that isn't easy when she gets caught between a mystic
healer, a mad scientist's monstrous creations, and super-powered muscle
working for organized crime. On one dark and violent night in the city,
she has to learn what countless others before her have learned – in the
hardest battles, you're always on your own. Next up is "Monsters," by Christine
Morgan. And if I do say so myself, it turned out pretty good, especially
thanks to the diligent editorial job by James Lowder. I was captivated by
one of the pivotal moments in the Silver Age Sentinels timeline, the death
of Lady Starbright at Mt. St. Helens. I wanted to write about that day,
but with a secondary battle going on as well between characters who never
made it into the newspapers or history books. Mike W. Barr's "The Judas Silver" is
a clever, wrenching whodunit involving a patriarch, family secrets,
betrayals, attempted murder, and a coin of silver with a sinister history
of cults and mass suicides. Though there are superpowers in it, they are
used very subtly and give the story almost a feel of a Sherlock Holmes or
Hercule Poirot mystery. It's old-fashioned deduction that solves this
case, and the that subtlety made this one of my favorite stories in the
book. "One Step From the Light," by John
Sullivan, features a retired trio of heroes styling themselves the Furies,
after the vengeful figures from Greek myth. Their powers come from some
sort of magical armor that I would have liked to know a little more about,
and their penchant for doling out punishment as well as justice earned
them some disapproval in the costumed-crimefighting community. But
sometimes, even a Fury meets a person whose taste for revenge goes too
far. "The Shield of Little Italy" by Alex
Kolker starts off with a giant robot wading toward the city, and you
cannot go wrong with an opening like that. As the Iron Duke lays waste to
block after block, every hero in town rallies. Every hero, that is, except
one. The Shield sticks to his own neighborhood. When the fight comes to
him, fine, but he won't abandon his turf to go chasing off after the bad
guy. Except, unfortunately for the Shield, nobody else has much luck
stopping the bad guy … Stewart Weick's "Either Will Suffice"
takes a different approach that almost feels like a blend of traditional
superheroes with formal high fantasy. Katla, formerly known as Celsius, is
a former super from the tyrannical nation of Thule. Although she's lost
much of her power, she seeks to help undo her previous wrongs, even though
it means going up against one of Thule's other supers, her counterpart,
Fahrenheit. But in their final confrontation, their fates are linked in a
way neither of them expected. Someone very much fancies a certain actress!
This distracting thought kept running through my head as I read
"Enter, the Eradicator!" by Robert Weinberg. It starts off like
a scene from a film noir, and there are capers and jewel heists and
femmes fatale galore. But Sydney Taine was too much for me … too
sexy, too mysterious, too powerful, too wish-fulfillment fantasy for me to
really jump in and enjoy this story. Others, however (especially others
who fancy a certain actress) are likely to disagree. "R.A.O.K" by Joe Murphy is dark and
depressing, full of all-too-ordinary petty cruelty and despair … and
it's a great, great story. It starts off in a long-term care facility
where funding is low, the building is dirty, the staff are abominable or
downright criminal, and the residents are neglected. Yet somehow, two of
them and one new employee form a gestalt that enables them to discover a
special power of their own … the power of simple human kindness. Finishing off the book is "SF," by
John Kovalic of "Dork Tower" fame. This is a story that only a
cartoonist or comic book artist would have the perspective to think up,
though readers will instantly see the perfect, obvious sense of it. The SF
in the title does not stand for Science Fiction anymore; it stands for
Superhero Fiction. In a world where costumed heroes and villains battle it
out daily, where they can be seen in magazines and on talk shows, where
those myths are real … what's a comic book artist to do? review
by Christine Morgan Chilling possibilities, heart-pounding
suspense, and non-stop action! Gerald W. Mills' Then is the Power
delivers from first page to last. In a blink the glittering lights of
Las Vegas are dark. The city is burning, planes crash to the earth, cars
won't run, all communications are out. Then is the Power doesn't
miss a beat through the intricate and varied plot twists and stories
weaved together into a thriller that will delight Koontz and King fans.
Gerald W. Mills has created an amazing cast of characters that combine all
the good, the bad, and the ugly that make up humanity. They leap with
life, with gripping reality from page to page of bone-chilling thrills,
moral and ethical dilemma, action packed suspense, and romance, in a
battle of guns, wits, wills, and supernatural mind powers. Then is the
Power one of those pick-it-up-can't-put-it-down page-turners. review by Charlene Austin The premise of the book is enchanting, and aches, as
the protagonist does, to be appreciated and for the book to be considered
a classic that it has the characteristic of being. The book definitely
rings true of being a great read, or magic of being just that - a classic,
but lacks the grit in some areas of the book to achieve the book's and
author's fullest potential. An attributing factor to this, in my opinion, is poor
editing of the book by those associated with the publishing firm that
released The Quest for Excalibur in April 2004. Within the first quarter of the book, for example,
there are a couple of spelling errors. "Its" is used instead of
the rightful "it's" and "waste" was used instead of
"waist." Even though the first is a common mistake, the second
isn't. However, what kept me from giving this book higher than the four
out of five stars rating is largely due to areas where I thought the book
was lacking. I'll admit I am not as knowledgeable about King
Arthur and the Knights of the Round Table. Unlike the author, Angelica
Harris, I haven't read any of the other books on King Arthur, Camelot or
the Knights of the Round Table; I haven't done research on the history of
that legend, or seen many of the movies on the subject. Having said that,
I feel that some brief history could have been expressed or shown more for
those, like myself, without minimal amount of knowledge. This could have
easily been done when Arianna first arrives in London with her family. On
the jacket, it states that she is an expert on the subject, yet it is only
hinted throughout the book. This could have easily been rectified during
her flight to London with her family who, in turn, could have shown a lack
of interest and again when she meets up with the mysterious Edmund, or
when they went to the Museum of Knights near the end of the novel. Showing a little more of the tension between Arianna
and her family, of how they didn't really appreciate her - even though,
again, it was hinted at - could have explained why she didn't want to
leave Camelot when it was time for her to return to her family in modern
day London. It could have easily been addressed a couple of times when
they first arrived in London; take as an example when she went to go
horseback riding. Her grumpy, unappreciative husband could have grumbled
over how he couldn't understand her interest in riding or seeing the ruins
of Camelot, etc. It could have also been easily shown in the scene
where her husband is left to supervise the kids at the hotel, worrying why
she's taking so long with her horseback riding, not knowing the truth
behind her whereabouts. Needless to say, there were areas of the book where
Angelica did show this. Near the end of the book, when Edmund, a.k.a.
Merlin, had taken the family to the Museum of Nights and Joseph began to
act out, irritating his father to the point that he demanded to leave. Even though this is only one readers' opinion, if
more of this type of behavior earlier in the book, the reader would have
felt for Arianna a lot sooner as well as would have allowed the
reader feel Arianna's pain more and understand why she felt at home at 6th
Century Camelot. Review by Robin Buehler MONKEY TRAP is the first book in a new, exciting sci-fi
thriller trilogy by father-daughter writing team, Denning Powell and
Leanne Powell Myasnik. Writing together as Lee Denning, they weave
together mythology, fantasy, religious theory, scientific fact, and
fantastic, imaginative speculation into a roller coaster adventure of
possibility. review by Charlene Austin |
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